Below is the call for submissions to Tenacious , an awesome zine of art and written work by women in prison. The most recent copy (#19) has the story of Marcia Powell's death in it, as told by another prisoner from her yard. Please, friends and family, let the women inside know that we want and need to hear from them - Tenacious is a great way to be heard, and is well worth listening to.
This next issue coming up will be for Mother's Day. Every woman inside is a mom or a daughter; those relationships are hardly untouched by incarceration. They may have already put great stuff into writing in their letters home - see if there's something you think they should develop or submit as is. The absence of a woman’s mother or child can be as powerful as the presence of one – everyone’s story is valued, whatever their perspective.
Many women use pseudonyms to avoid harassment from prison officials if they have anything critical or controversial to say; they should use discretion if they have any concerns about retaliation, because no one can assure their safety. Vikki Law, who gathers the material and edits the zine, seems to exercise pretty good judgment about that stuff, too.
Some incarcerated women who started by publishing in zines and newsletters have become more widely known and published since then – never having set out to “be” writers or artists or poets in the first place: their mode of expression was formed, in part, by their incarceration as a means of resistance. Marilyn Buck, a U.S. political prisoner and poet, is one who comes to mind who has written about that. Here's the Freedom Archives' link to audio clips from Marilyn's Wild Poppies collection, a tribute CD on which her poetry is read by former political prisoners from around the world. (Browse Freedom Archives sometime - there's great liberation movement stuff there).
Tenacious sells for $2-3 a copy; I think that supports publication and mailing it free to women in prison. Vikki is up on what’s going in here, and offered it as an awareness-raiser and a means to raise our own funds for one woman’s resistance in particular. She sent us electronic copies of numbers 18 (out of stock on the publisher's website right now) and 19 (just out and not on the website yet). I'll be printing up copies and hanging out with all my other abolitionist literature on ASU-Tempe's Hayden Lawn during most lunch hours the first two weeks of the semester (classes begin January 19 - I may hit the campus the previous day, if there are any MLK Day activities going on there.)
This is me, by the way, if you're looking for me. Arpaio's posse already has my mug shot from Copwatch, so there's no harm putting this out there. Peace.
I'm also trying to stock up on copies of Vikki's book, "Resistance Behind Bars", so folks can browse and nab one from me pretty easily if they want. If the College Anarchists end up tabling around the fountain by the MemorialUnion , I'll try to convince them to let me share some of their space there instead. They're an awesome group of people - very thoughtful and politically astute. And anarchists on the whole are most prisoners' best friends.
I have an earnest agenda behind all this, other than my own compa's liberty. We need immediate and sustained attention on the resistance of women at Perryville prison, for their own well-being. Today. We also need to look in on the women in our county jails – not just Arpaio’s. That means creating a less shameful environment that’s inclusive of prisoners’ and their families' voices, getting community members and groups doing more outreach to incarcerated women and their children (the Girl Scouts are even on top of it, folks - no good reason everyone else isn't), and alerting our local and national media that we want to know what’s going on in there. Who are we locking up inArizona
We need more people to be able to articulate the challenges faced by women in prison, and to recognize and support their resistance to oppression, abuse, and neglect. We try to render them invisible in society, but women in prison have both voice and power. We need to pay attention to actions like those described below by Renee, and the three women who set their mattresses on fire last June. What happened to them? Does anyone know?
That doesn’t mean we should just be looking for hunger strikes and riots among women, though – grievances and lawsuits have been very effective tools of change for women in prison, and need more visibility; some things can be expedited with more public pressure - like Marcia's Law. Charisse Schumate is an example of a woman who resisted by using the legal system and community organizing; she and her fellow prisoners made a difference. That's a story worth printing up and sending to women inside, too.
Women like Renee and those in Tenacious are resisting, too, simply by telling their stories. Even if they aren't exposing state secrets, they are countering the myths and lies out there about them. hey are resisting the dehumanization of criminalization and incarceration. They are bringing home what it means to be a woman in prison in America. The act of making things public, making them visible, takes a great deal of courage - we must read them, respond to what they're saying, and keep asking for more.
This is pretty critical material for Arizonans to grasp right now, so I’m going to do whatever I can to get it into the hands of as many people who might care as possible – from anarchists and ASU students to hospice care providers and groups representing trauma and rape survivors. Listen to these women, and if you have any kind of access help them get their stories out. They need us all to stop and pay attention.
Here's the call for submissions to Tenacious:
---------------------
New York , NY 10009
This next issue coming up will be for Mother's Day. Every woman inside is a mom or a daughter; those relationships are hardly untouched by incarceration. They may have already put great stuff into writing in their letters home - see if there's something you think they should develop or submit as is. The absence of a woman’s mother or child can be as powerful as the presence of one – everyone’s story is valued, whatever their perspective.
Many women use pseudonyms to avoid harassment from prison officials if they have anything critical or controversial to say; they should use discretion if they have any concerns about retaliation, because no one can assure their safety. Vikki Law, who gathers the material and edits the zine, seems to exercise pretty good judgment about that stuff, too.
Some incarcerated women who started by publishing in zines and newsletters have become more widely known and published since then – never having set out to “be” writers or artists or poets in the first place: their mode of expression was formed, in part, by their incarceration as a means of resistance. Marilyn Buck, a U.S. political prisoner and poet, is one who comes to mind who has written about that. Here's the Freedom Archives' link to audio clips from Marilyn's Wild Poppies collection, a tribute CD on which her poetry is read by former political prisoners from around the world. (Browse Freedom Archives sometime - there's great liberation movement stuff there).
Tenacious sells for $2-3 a copy; I think that supports publication and mailing it free to women in prison. Vikki is up on what’s going in here, and offered it as an awareness-raiser and a means to raise our own funds for one woman’s resistance in particular. She sent us electronic copies of numbers 18 (out of stock on the publisher's website right now) and 19 (just out and not on the website yet). I'll be printing up copies and hanging out with all my other abolitionist literature on ASU-Tempe's Hayden Lawn during most lunch hours the first two weeks of the semester (classes begin January 19 - I may hit the campus the previous day, if there are any MLK Day activities going on there.) This is me, by the way, if you're looking for me. Arpaio's posse already has my mug shot from Copwatch, so there's no harm putting this out there. Peace.
I'm also trying to stock up on copies of Vikki's book, "Resistance Behind Bars", so folks can browse and nab one from me pretty easily if they want. If the College Anarchists end up tabling around the fountain by the Memorial
I have an earnest agenda behind all this, other than my own compa's liberty. We need immediate and sustained attention on the resistance of women at Perryville prison, for their own well-being. Today. We also need to look in on the women in our county jails – not just Arpaio’s. That means creating a less shameful environment that’s inclusive of prisoners’ and their families' voices, getting community members and groups doing more outreach to incarcerated women and their children (the Girl Scouts are even on top of it, folks - no good reason everyone else isn't), and alerting our local and national media that we want to know what’s going on in there. Who are we locking up in
We need more people to be able to articulate the challenges faced by women in prison, and to recognize and support their resistance to oppression, abuse, and neglect. We try to render them invisible in society, but women in prison have both voice and power. We need to pay attention to actions like those described below by Renee, and the three women who set their mattresses on fire last June. What happened to them? Does anyone know?
That doesn’t mean we should just be looking for hunger strikes and riots among women, though – grievances and lawsuits have been very effective tools of change for women in prison, and need more visibility; some things can be expedited with more public pressure - like Marcia's Law. Charisse Schumate is an example of a woman who resisted by using the legal system and community organizing; she and her fellow prisoners made a difference. That's a story worth printing up and sending to women inside, too.
This is pretty critical material for Arizonans to grasp right now, so I’m going to do whatever I can to get it into the hands of as many people who might care as possible – from anarchists and ASU students to hospice care providers and groups representing trauma and rape survivors. Listen to these women, and if you have any kind of access help them get their stories out. They need us all to stop and pay attention.
Here's the call for submissions to Tenacious:
---------------------
Call for submissions
Tenacious is looking for articles, poetry and art form women in prison. We strongly believe that everyone has a story to tell, something to share and are in need of someone who will listen and offer some kind of support and/or understanding. It is important to us that women (both in and out of prison) find the power of their voice. We encourage women to share with us and others in the hopes of educating those in society and empowering other women to take a stand for their rights and the rights of others. Use the power of your voice in a positive way—to educate.
Subjects we are looking for include:
ü Prison programs (how they do or don’t work)
ü Mothers educating their children while on the inside
ü Holding prison officials accountable for their actions or inactions
ü Observations and applications on prison life
ü Women prisoners uniting to make a difference
ü Informing society about prison issues
ü Sexual discrimination or sexual preference discrimination in your prison
ü Medical breakthroughs or neglect
ü HIV, Hep C and other diseases common in prison
ü Helping your fellow prisoners
ü Literacy and education
ü Your job (or lack of a job)
AS YOU CAN SEE BY THE COVER, WE ESPECIALLY NEED ART!!! Art should be reproducible in black-and-white.
We do not publish individual cases, charges or court experiences. We do not publish religious materials. We also cannot act as liaisons between those in different facilities.
Send submissions to:
V. Law, PO Box 20388
Tenacious is free to women in prison.
Men in prison: please send 2 stamps to cover the cost of postage.
Those not in prison: your $2 will support sending free issues to incarcerated women across the United States
The next issue will be a Mother’s Day themed issue, acknowledging that over 80% of women in prison are mothers.
Deadline: April 1, 2010
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